Publications 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 Featured Jul 17, 2019 Powerful, Beautiful, Dazzling: Mordine & Co Dance Theater Celebrates the 50th Season: a response by Ayako Kato Jul 17, 2019 Jul 17, 2019 Jul 11, 2019 All Here for the Comeback Queen: a response by Samantha Allen Jul 11, 2019 Jul 11, 2019 Jun 28, 2019 The Passionate and Wise Body: Links Hall Celebrates its 40th Birthday: a response by Ayako Kato Jun 28, 2019 Jun 28, 2019 Jun 27, 2019 Space, Place, Possibility: Embodied Work on Empowering Community: a response by Ayako Kato Jun 27, 2019 Jun 27, 2019 Jun 26, 2019 Assembling a Prayer: a response by Samantha Allen Jun 26, 2019 Jun 26, 2019 Jun 21, 2019 Settling, Rocking, Riding the Air: a response by Maya Odim Jun 21, 2019 Jun 21, 2019 Jun 17, 2019 Silvita Diaz Brown: Illuminating her Mexican Heritage: a preview by Ayako Kato Jun 17, 2019 Jun 17, 2019 Jun 8, 2019 The Dirty Work of Leaning In: a response by Alex Phillips Jun 8, 2019 Jun 8, 2019 Jun 6, 2019 On “On Being Well” and Our Need for Dance Healing: a response by Lydia Jekot Jun 6, 2019 Jun 6, 2019 May 24, 2019 Sticky Shifts and Other Absurdities: a response by Samantha Allen May 24, 2019 May 24, 2019 May 24, 2019 Eye in the Sky, Target on the Move: a response by Carole McCurdy May 24, 2019 May 24, 2019 May 24, 2019 30 Questions Evoked by GRUNT Chicago Festival: a response by Alexander James Yukio Hayashi May 24, 2019 May 24, 2019 May 24, 2019 Exorcizing the impossible: a response by Mie Frederikke Fischer Christensen May 24, 2019 May 24, 2019 May 21, 2019 What Comes Around Goes Around Does, Come Around, Does Not Always Go Back Around: a response by Mie Frederikke Fischer Christensen May 21, 2019 May 21, 2019 May 21, 2019 30 Questions Evoked by The Monomyth: a response by Alexander James Yukio Hayashi May 21, 2019 May 21, 2019 May 21, 2019 “Exploration”: An Interview with Producer and Choreographer, Jess Martin by Kaitlyn Dessoffy May 21, 2019 May 21, 2019 May 21, 2019 “Alle Dyrene i Hakkebakkeskoven”: a response by Mie Frederikke Fischer Christensen May 21, 2019 May 21, 2019 May 21, 2019 30 Questions Evoked by Breaking Grounds: a response by Alexander James Yukio Hayashi May 21, 2019 May 21, 2019 Apr 15, 2019 Breaking Grounds: a response from The Vertical Side Show Apr 15, 2019 Apr 15, 2019 Apr 11, 2019 Dad Art: An Experience of Ethereal Connectivity: a response by Kristin Abhaltar Smith Apr 11, 2019 Apr 11, 2019 Apr 10, 2019 Three White Men in Such a Softly Embraced Identity Crisis: a response by Mie Frederikke Fischer Christensen Apr 10, 2019 Apr 10, 2019 Apr 4, 2019 Self-Centered Selves- “Green Tea”: a response from The Vertical Side Show Apr 4, 2019 Apr 4, 2019 Apr 3, 2019 “Closure”: A response from The Vertical Side Show Apr 3, 2019 Apr 3, 2019 Mar 18, 2019 Impeccibly Impossible, Unabashedly Human: A response by Chrissy Martin Mar 18, 2019 Mar 18, 2019 Mar 11, 2019 Nature Theatre of Oblivia: A response from The Vertical Side Show Mar 11, 2019 Mar 11, 2019 Mar 7, 2019 Augmented Reality, Live: A response by Chrissy Martin Mar 7, 2019 Mar 7, 2019 Mar 2, 2019 Bollywood Boulevard Transforms Celluloid Dreams into Joie de Vivre: a response by Lise McKean Mar 2, 2019 Mar 2, 2019 Feb 26, 2019 When the Body Exists: a response by Ayako Kato Feb 26, 2019 Feb 26, 2019 Feb 19, 2019 Right now, a relic: a response by Joanna Furnans Feb 19, 2019 Feb 19, 2019 Feb 12, 2019 On Witnessing the Illegible: a response by Aurora Tabar Feb 12, 2019 Feb 12, 2019 < 2020 2018 >
