Keyierra Collins responds to a prompt from PRJ2.0 presented in conjunction with the “Deconstructing Language: Liberationist Writing for Performance” workshop series during PRJ’s satellite residency in Summer 2021 with the National Center for Choreography at the University of Akron.

Clara Nizard responds to Lucky Plush Productions’ in collaboration with Melinda “Mindy” Myers & Kurt Chiang’s “Unfinished Business.”

Keyierra Collins responds to a prompt from PRJ2.0 presented in conjunction with the “Deconstructing Language: Liberationist Writing for Performance” workshop series during PRJ’s satellite residency in Summer 2021 with the National Center for Choreography at the University of Akron.

laaura goldstein responds to Carole McCurdy’s just passing through: the disequilibrated map.

Keyierra Collins responds to a prompt from PRJ2.0 presented in conjunction with the “Deconstructing Language: Liberationist Writing for Performance” workshop series during PRJ’s satellite residency in Summer 2021 with the National Center for Choreography at the University of Akron.

Khalid Long considers the feminist lens in Chicago Fringe Opera and BraveSoul Movement’s “The Rosina Project.”

Keyierra Collins responds to a prompt from PRJ2.0 presented in conjunction with the “Deconstructing Language: Liberationist Writing for Performance” workshop series during PRJ’s satellite residency in Summer 2021 with the National Center for Choreography at the University of Akron.

PRJ Co-Organizer, Aaliyah Christina responds to What to Send Up When It Goes Down by Aleshea Harris with Congo Square Theatre.

Keyierra Collins responds to a prompt from PRJ2.0 presented in conjunction with the “Deconstructing Language: Liberationist Writing for Performance” workshop series during PRJ’s satellite residency in Summer 2021 with the National Center for Choreography at the University of Akron.