Publications 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 Featured Dec 31, 2018 Call off the Search Party: These Femmes are Found: A response by Aurora Tabar Dec 31, 2018 Dec 31, 2018 Dec 6, 2018 Aaliyah Christina: an interview by J’Sun Howard Dec 6, 2018 Dec 6, 2018 Nov 20, 2018 Intimate Affirmations and Choices: A response by Carole McCurdy Nov 20, 2018 Nov 20, 2018 Nov 9, 2018 Reckless to Wreck-less: A response by Timothy Tsang Nov 9, 2018 Nov 9, 2018 Nov 8, 2018 Game Changers: A response by Carole McCurdy Nov 8, 2018 Nov 8, 2018 Nov 8, 2018 What is interesting? : A response by Timothy Tsang Nov 8, 2018 Nov 8, 2018 Nov 6, 2018 Rambling thoughts on “Vice & Virtue”: A response by Timothy Tsang Nov 6, 2018 Nov 6, 2018 Nov 5, 2018 A Visit from Sri Lanka: A response by Aaliyah Christina Nov 5, 2018 Nov 5, 2018 Nov 2, 2018 THE END IS HERE—What would Dolly Do? : A response by Kristen Vasilakos Nov 2, 2018 Nov 2, 2018 Nov 1, 2018 Makers and Wreckers Series: A New Chicago Choreographic Collaboration: A response by Kristen Vasilakos Nov 1, 2018 Nov 1, 2018 Oct 23, 2018 Past, Present, Future: Bob Eisen and Guests: A response by Aurora Tabar Oct 23, 2018 Oct 23, 2018 Oct 18, 2018 38 Thoughts While Watching “Odeon”: A response by J’Sun Howard Oct 18, 2018 Oct 18, 2018 Sep 28, 2018 What Becomes of the Brokenhearted: A response by Carole McCurdy Sep 28, 2018 Sep 28, 2018 Sep 26, 2018 Bellow: A response by J’Sun Howard Sep 26, 2018 Sep 26, 2018 May 24, 2018 Joy beyond just showing our teeth in a smile: A response by Joelle Mercedes May 24, 2018 May 24, 2018 Apr 24, 2018 Lush and Profound: A response by J’Sun Howard Apr 24, 2018 Apr 24, 2018 Mar 6, 2018 The Long View: a response by Jessica Ray Mar 6, 2018 Mar 6, 2018 Feb 21, 2018 A Year in Building a Tool: A response by Aaliyah Christina Feb 21, 2018 Feb 21, 2018 Jan 3, 2018 Now Breathe: Red Clay Dance + Keiga Dance Company: A reflection by Marceia Scruggs Jan 3, 2018 Jan 3, 2018 < 2019 2017 >
