Partir: A response by Katerine Ricardo

image by Miguel Gutiérrez

image by Miguel Gutiérrez

From March-October 2021, Rigo Saura is in residence working on "Pink Nights Never End” with Ballet Cívico dancers: Paty (Patricia) Cepeda, Paige Kingston, Madeline Kiesel, Ari Elle Yao, and Devyn Simon.

Music: "Partir" written and recited by Katerine Ricardo, "Continent" and "Kaleidoscope" by Adrian Berenguer, "Moonlight Sonata" by Ludwig Van Beethoven

Lighting designer: Sarah Lackner
Costume: Concept by Rigo Saura.

If we can't walk we will crawl across another world, another world, there must be another world where ...

Ruth Page's Ballet Cívico explores together with Rigo Saura's guidance, the need to create another world or at least improve the one we have.

This is the first response from embedded writer, Katerine Ricardo, to Rigo Saura’s production residency at the Ruth Page Center for the Arts sponsored by the Chicago Dancemakers Forum & the Performance Response Journal.

*****

Partir

Es hora de partir

Deja que te respire por última vez

Deja que el viento nos despeine

Que la lluvia bese nuestros pies descalzos

Déjame saborear tu nombre una última vez

Antes que parta.

Partir

Lejos donde tu luz no eceguezca

Donde el camino nos separe

Donde el ruido de tu silencio no me alcance

Partir

Sin saber

Qué más ofrecer cuando ya lo di todo

Un último intente sería en vano

Trágate tu amor imposible.

Ámalo libre.

Ama el modo en que ignora que tú existes.

Ama al cisne salvaje y parte

Partir

Con este querer a la espalda

Partir sin pensarlo

Partir

Para no volver.





*****

Rend

It is time to render us

Let me inhale you once more

Let the wind muss our hair

Let the rain kiss our bare feet

Let me savor your name one last time

Before rending

Wrench me

Far from where your light won’t blind

From where the path will cleave us

Where the sound of your silence won’t reach me

Rend

Without knowing

What more could I give when I’ve given it all

One last try would be in vain

Swallow your impossible love

Love it freely

Love the way it ignores that you exist

Love the wild swan and rend us

Renege

With that longing at your back

Renounce; don’t think

Rend

And don’t come back

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The Occidental Jet Stream: tellin’ stories, a response to the article: “Chicago dance has had a long love affair with process. Doubling down, are their audiences on board?” by Maya Odim

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A balance, a truth, a battle, an understanding: Jumaane Taylor’s “Ugly Flavors” in progress: a response by Adam Zanolini